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Dressing the part

Publication Day for THAT WOMAN and, to celebrate, a fitting for THAT DRESS with the designer I know Wallis would have rushed to embrace,Roland Mouret. I cannot reveal – yet – what it looks like. But like all of Roland’s clothes it is clever, witty, seductive and makes the wearer feel instantly wonderful. It is certainly not a copy of a Wallis original, but it pays homage to one of her most famous gowns. The day after the official launch, September 6th, when Roland and I will be having a conversation about Wallis’s life and style at the iconic Net-a-Porter headquarters, THAT DRESS officially goes on sale but, unlike Cinderella, when the clock strikes midnight I will still have my own gown to keep for ever.

 

Who am I ?

 

Who am I

Self identity with the subject of one’s biography is, as Richard Holmes famously wrote, the first crime of the biographer. That’s okay then…No one is ever going to confuse me with Wallis Simpson and yet, working with a new website designer is forcing me to think closely – Who am I? How do I want people who do not know me to think of me? All of this is horribly introspective but necessary, I am told. When strangers look at the opening page of my website they need to feel welcomed, intrigued. I have a few seconds to engage them. How do I do that? For the last few years I have been constantly thinking about image as I contemplate the way Wallis Simpson has been portrayed in the 75 years since the Abdication. My new book may not change many people’s perceptions of her but the weight of the establishment has been so heavily against her that I cannot help but question whether all of the hatred and disgust, mostly from people who never knew her, was deserved. If she had looked dowdy, frumpy or fat would she have seemed more appealing? Did the glamour, sparkling jewels and elegant clothes act as a barrier to trust? What subliminal message do we all give from the clothes we wear and the colour of our nails? Perhaps, like Wallis, I should spend more time thinking about this. On the other hand perhaps I have better things to do.

Meeting Elizabeth Taylor – twice

 

Meeting Elizabeth Taylor - twice

So Elizabeth Taylor has finally gone. I met her only twice but both occasions were unforgettable. In 1972, I was a junior reporter for Reuters in Rome and the bureau sent me to doorstep the restaurant where she was having dinner to ask for news of the latest apparently violent split from Richard Burton. Would they make it up? I dressed in my finest and the Maitre D.allowed me in, while a queue of male reporters was left standing outside. Miraculously, La Taylor then invited me to take a seat on the banquette next to her and was so utterly charming that of course, aged 20, I found my tongue completely tied. How could I possibly ask such a woman whether she was going to kiss and make up? We chatted, I think, about the weather, the food, and the film she was making but not the story that the newspapers wanted. I wafted out of the restaurant mesmerised after my proximity to a legend and of course completely unaware of the rocket I would get from the office the next day for my failure to plunge the knife.

Ten years later, writing the biography of Enid Bagnold I went to interview Taylor again, this time to talk about the film in which she shot to fame, National Velvet, as Enid had written the book. Once again I was overwhelmed by her charm and the power of her extraordinary beauty. This time we had a real conversation about how desperately she had wanted the role of Velvet as soon as she had read the book. I loved the part because Violet was an extension of me, she told me. I already rode every morning and I knew how to jump. Young Elizabeth, who until then had appeared in Lassie Come Home but little else, became an instant star when the film came out. Enid complained about the way Hollywood had recreated Aintree complete with Palm trees. But this wartime feel-good movie, released in January 1945, lifted a nation weary from war and lifted a young girl into celebrity status from which she suffered for the rest of her life. It also made Enid Bagnold, who died thirty years ago this month, quite a lot of money as well as fame .

Don’t blame the women

Reading about the horrific sexual attack on war reporter Lara Logan gives me a certain sense of deja vue. In 1972 – almost 40 years ago – I was interviewed for a job as a foreign correspondent at Reuters. I was 20 and knew nothing of the world. The then managing director of Reuters, Gerald Long, after a pleasant half hour chat in his fine suite on the top floor at 85 Fleet Street turned to me and asked: And er Anne, how would you feel if you were raped by an advancing army?

Whatever I mumbled, and I have no doubt it was both fatuous and naive, clearly didn’t matter since I got the job as a graduate trainee at Reuters – the first woman on whom they chanced their arm, or more appropriately perhaps, leg. Although I didn’t speak Italian I was quietly despatched to Rome because it was thought women might have ways of getting a story, Italian style.

A couple of decades later I wrote a history of women reporters called Battling for News (just republished by Faber Finds as Battling for News: from the Risorgimento to Tiananmen). So I know this is not the first time women reporters have been attacked. I know that women, just as men, have always been prepared to use tricks – or good looks – to get a story. And I know that sometimes (ok, often) it’s the male editor who is to blame, especially where television is concerned, for exploiting a pretty woman in a flak jacket who appears on a screen in your own front room. Talk about vicarious thrills!

Nobody today has heard of Hilde Marchant but in 1936 when she was sent by Daily Express Editor Arthur Christiansen to cover the women’s angle of the siege of Madrid she was dubbed the best woman reporter that ever worked in Fleet Street. Martha Gellhorn and Virginia Cowles were already there. Women and how they reported a war had become the story.

Anne Sharpley, accused by male rivals of sleeping with a police chief to get a story, was quite open about sex being a weapon in her armoury and her habit of pulling out telephone wires after she had dictated her own story. She took the view that men with their natural clubbiness had other advantages.

And as one example among many don’t forget Yvonne Ridley kidnapped by the Taleban in 2001 and pilloried by fellow journalists, including other women, who told her she had responsibility as a single mother. But are men ever asked the same question? Famously John Simpson not only dressed up in a Burqa to get himself smuggled into the Nangarhar Province, near the border with Pakistan but he was a father and since then also has a young child. It’s a decision each journalist has to make for his or her self and whether or not Lara Logan once modelled swimwear is irrelevant. Don’t forget men get attacked and tortured too. Men have babies and children at home. And men sometimes cry. Don’t blame the women for being there and certainly don’t blame them for being attractive.

Charity Begins at Home

Charity Begins at Home

Once a year I host a literary lunch for charity at home in my basement. The charity is chosen by the writer who gives the talk and whose books we give away at the end of the lunch. Every year, as I contemplate how to feed and organise 30 of my women friends, I say never again. This year, as deep snow fell and the trains and planes stopped running and the phone rang with cancellations, I said it with meaning. And then, on the day itself, something magical happened. In the event almost everyone struggled through snow and ice to get to the lunch and almost everyone insisted they had had an inspirational time. I love seeing how much pleasure a book and the idea of how a book came into being and how its creator agonized over its birth can give.

The speaker was the novelist, short story writer and creative writing teacher, Wendy Perriam, who talked bravely and courageously about her life as well as writing. She, a lapsed Catholic, said the reason so many writers are either Jewish or Catholic is because both are such dramatic religions. Her latest novel is called Broken Places and anyone who heard her talk about it on Woman’s Hour earlier this year will know they are in for a dramatic journey with Eric the librarian. After lunch she was asked the unanswerable: how to keep going when your only daughter is dying from tongue cancer, as Wendy’s tragically was. Wendy did not exactly say that writing was therapy. How can there be any therapy to help with such a tragedy? But she certainly poured herself into her work and, as I looked around my basement, I realised how many people in that room had suffered tragedy at some point in their lives and how they had all carried on with life as they needed to live it. Donna Thomson, whose book Four Walls of Freedom about her son, who has cerebral palsy, came out last year was one example.

So now as I am folding away the ancient trestle table and returning the equally ancient chairs to the attic whence they came, I realise that far from not wanting to give another I can hardly wait to pounce on my next author. And we raised